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CHAPTER
XVI
LOVE AND
HATE
The world of studentship has never followed with seriousness or
constancy the mighty implications of the ascription of masculine gender to
spirit and of feminine to matter. With the expectation of finding that an
examination of the relationship between male and female will yield an
enlightening theoria of universal creation, the challenge to
inquiry now is to face the data frontally and not only with an open mind,
but with an eye keenly fixed to see what is there. Even then it is
necessary to use the clues and threads of discernment that have been
provided us by ancient insight. It is found, then, that there will be no
mistake in undeviatingly reading spirit or spiritual reference for the
male symbol or personation, and matter or the physical for the female
emblemism. The fact that this usage will prove its unfailing pertinence
and dependability, in all cases with astonishing precision, will come as
itself a revelation of no minor moment to those not conversant with the
almost mathematical faithfulness and reliability of these forms of ancient
symbolic method.
The place to begin the examination is at the point of the breaking
apart of the unity into the duality. As to this, it must constantly be
borne in mind that in spite of an act of bifurcation of itself, Deity does
not destroy its eternal oneness. It has not become two, even though it has
cleft its being into two aspects. It has not become itself and something
else not itself. This is logically impossible. It has converted itself
into a duality. It has not become two, in any sense exterior to itself. It
has evolved a twoness within itself. God can not, dialectically, project
anything outside himself, since he is all there is. All things are and
remain inside the being of the Su-
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preme. God can no more become two than man is two, from the mere fact
of his having, or rather being, both a spirit and a body. God--and man
like him--is a unit, although he is composed of dual energies. The
conflict and tension between positive and negative polarities is ever
necessary to bring the life of God forth to view in concrete worlds. So
life has to set up this stress and pressure within itself. How could Being
lay hold of and so move substance to form its creation if it could not
oppose one arm of itself, so to say, against another arm, so as to be able
to get a grip on the material to be moved into place for the creation?
Figuratively speaking, how could it create if it could not oppose thumb to
fingers, left hand to right, lever against fulcrum, conscious design or
will against objects, mind against matter? Tensional opposition of the two
pulls of a polarized duality is as inevitable as the fact that a coin must
have two sides. There could be no existence, no things, if there was no
front and back, up and down, in and out, to and fro, movement and inertia.
Duality, presaging the subsistence of a strain between the two portions,
is an inexorable postulate of conscious being, and sprang into appearance
as soon as life emerged from the unseen into the visible stage and took
organic form.
The interaction begins the moment the two sides are established as
distinct units in the being of the whole. It takes the form of the only
thinkable action that two things can exert toward or upon each other,--a
mutual tugging and pulling. They are set in relation to each other in much
the same way as are two balls of lead tied to opposite ends of a string
and whirled around on a central pivot, with the significant difference,
however, that the "string" is not a "dead" connection, but a living stream
of dynamic forces that are determined by the powers exerted, positively
from the one end and negatively from the other. The pushing and pulling
become the great natural laws of attraction and repulsion. They are the
first and cosmic form of the meaning of the Battle of Armageddon. As the
twoness in tensile opposition is the necessary condition of the stability
of anything, the law is that two opposite poles attract
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each other and two similar poles repel each other. This must be so, if
anything is to cohere and remain itself. If the two opposite poles
repelled each other, the atom and the universe would collapse. Rather it
could not have come into existence in the first instance. Positive and
negative poles must fly into each other's arms, embrace and multiply, if
there are to be worlds.
We have here the ground of one of the most relevant of ancient
philosophical pronouncements. Empedocles' declaration that the world was
engendered and activated throughout by the two forces of Love and Hate.
Love is seen as the attraction and Hate the repulsion. And by this naming
and characterization it is possible for the limited intellect of man to
understand dialectically why the prime essential nature of God is
denominated Love. As he is unit being of all being, the constant motive of
all his expression is the universal attraction of the two portions of his
own Self for each other.
The two nodes of his wholeness can do nothing else but "love" each
other. At the same time the two similar poles in the countless units of
his multiplied manifestation can and must likewise "hate" each other. Love
is the law of God's being--when he has thrown himself into the dual
expression--since the two elements then are constrained by the unabating
attraction toward each other. So then Love becomes the fulfilling of the
law, for no other activity of life transcends or nullifies this first law
of mutual attraction within the framework of the universe. It is operative
in every unit of life, in every fragment, in every organic system from the
atom to the super-galaxies. God can not help loving--and hating--once he
has sundered his totality into spirit and matter.
Then spirit must "love" matter, and matter spirit! Soul must love body
and body soul! Man, intellectual and spiritual, must love the world of
matter. The voice and hands of pious unintelligent religionism may fly up
in horror at the philosophical determinations that spring immediately into
view in the wake of the obvious dialectic. And well they may, for,
properly understood and held in a
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balanced rationale, the true envisagement of the elements of the
problem enforces a view of these things that does indeed undo and reverse
the poor twisted attitudes of orthodox befuddlement. The first dawn of
welcome sanity to break upon the dark night of centuries of pitiable error
is this cock's crow of the resurrected voice of philosophy proclaiming
once again that spirit does love matter.
A happy release of the human spirit from unnatural constraint under
false mental postures will ensue for common consciousness when it can be
freely postulated in thought that the soul does love the body, and that
man, spiritual, does love the world with sufficient strength that he comes
into body to enjoy its delights and meet its tensions. The strength of the
blind pall that has afflicted the clearness of philosophical vision can be
seen by merely reflecting upon the fact that for centuries the collective
brains of the scholarly world have studied the Biblical assertion that
"God so loved the world" without once discerning the relevance of the
central statement there advanced. And God not only loved the world, but he
loved also the flesh with a force that impelled him to throw the whole of
his might, in recurrent cycles of countless years each, into the effort to
expand his own being by plunging his consciousness into bodies of flesh
and matter. For the physical universe is the Logos made flesh. No exterior
force compelled him to become fleshed; so his act must have sprung from
his own volition or desire for such an experience. These conclusions are
the ineluctable products of the reasoning process working upon the
premises given. As man and woman love each other, so spirit and matter
love each other. In nature this "love" complies with every
characterization of Plato's grand predication of balance, moderation and
harmony amid all the divine elements in play. In man, where free will
coupled with initial ignorance comes in to disturb the balances,
disturbance and confusion have crept in. These will be corrected as
intelligence awakens.
Plato in The Phaedo and The Symposium has dissertated
upon this matter of the genesis and nature of love, in a dramatization
that has misled shallower thought into a mistaken interpretation
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of his figure. To depict the cleaving asunder of God's unit being into
the duality, he says that the soul of man splits apart into two, each part
carrying one half of the potentiality of complete being. One part
manifests in male body, the other in female, and the two separate halves,
each suffering the want of completeness in itself, longingly seek their
complementary halves in the world, to unite with them and thus be made
whole. Obviously expounding but at the same time hiding the true esoteric
meaning of his allegory, Plato clearly concealed his deeper sense under
the individual and personal representation. It is surely not in the
purview of Plato's philosophy to deny unitary completeness to the human
ego, whether in man or woman. It is always in his system a full unit,
being itself a fragment of the divine Oversoul. It can not be fractional,
a mere half-unit. It is complete and perfect as a seed unit of divinity.
Plato is dramatizing under the human allegory the truth that the
collective being of life splits apart into the two poles and that their
force of attraction for each other ceaselessly causes each to seek the
other throughout the ranges of life. The individual soulmate idea drawn
from Plato's allegory is a flat misconception. If it was his real belief
that the soul in a male body is only one half a former complete soul, with
the other half living somewhere in a female body, what a tragedy life
would present in the nearly complete failure of the two halves to discover
each other! Nature would not be party to a scheme which in her operative
order registered close to ninety-nine percent failure. Plato's imagery is,
as is the sportive punster play on the meaning of words in The
Cratylus, neither amusing diversion nor literal seriousness, but
high-pitched allegorical and dramatic truth, playful on the surface, but
grandly meaningful in the cryptic intent.
Plato almost indubitably drew this form of portrayal from a line in the
Egyptian scripts which says that "the soul makes the journey through
Amenta in the two halves of sex." Many reports are to the effect that
he visited and studied in Egypt. It is conceded in general that Greece
derived the substance and genius of her great philoso-
234
phies from Egypt. The possibility of reading anything measurably close
to the true meaning of this passage has been killed in the first place by
the utter failure of Western scholarship to locate the Egyptian Amenta
in the proper world. The meaning has been thrust clear out of its true
world and over into another realm where it can have no pertinence, through
the stupid translation of Amenta as the region of spiritual
consciousness after death. It must be asserted as a discovery of an
age-old error and a datum of the most momentous significance in all
antique research, that Amenta is the life on earth, or earth
itself, and not any heavenly abode. Amenta is the home of the
living mortal, not the realm of the shades of the dead. And this is said
in the face of the datum of comparative religion that it was expressly
denominated the land of the dead.
The seeming contradiction is resolved into agreement when it is known,
what all studious zeal has never yet uncovered, that the ancient
philosophers and "theologians" by a trope of occult significance
designated the souls living on earth as "the dead." To them the life in
mortal body brought "death" to the soul. "Who knows," cries Socrates to
Cebes in the Gorgias, "whether to live is not to die, and to die is
not to live? For I have heard from one of the wise that we are now dead
and that the body is our sepulcher." And Paul says that "the command that
meant life proved death" to him. In the wake of Egyptian formulations of
truth Greek philosophy very distinctly regarded the soul while on earth in
fleshly body as suffering a death, from which, to be sure, it would be
reborn in its periodic resurrection "from the dead."
The Egyptian statement, therefore, concisely affirms that the soul
makes its pilgrimage through the cycle of bodily existences "in the two
halves of sex." Yet all the ancient philosophy stands on the positive
assertion that the soul is one and indivisible. It is that in a human
which makes him the individ-ual. Therefore the division must refer
to the incorporation of unitary souls in male and female bodies. Half the
souls are in male, half in female embodiment. As the Greeks say, "souls
are divided about bodies." That is, souls are
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distributed out amongst bodies. For again they say that it is the
function of gods to "distribute divinity." Jesus, in taking a loaf and
dividing it, distributed the fragments in the Eucharist, and thereby
dramatized the same idea.
Sex appertains to the vehicle of outward embodiment, not to the soul
itself. There are not male and female souls. The soul is in large part
still detached from complete immersion in the flesh of the body. It
projects only a tentacle of itself down into body. It is the opposite
qualities of positive and negative in the mind, the emotions and the
physical senses of the corporeal appurtenance that are drawn by the law of
polarity toward each other across the boundaries of sex. Only in this
world and only then in the realm of bodily affections and proclivities is
sex manifest. In the heaven of higher consciousness where soul resides in
its native habitat there is neither marriage nor giving in marriage, for
the soul is without sex. It is androgyne, the type of the original
male-female unity in embryo, not yet male and female.
Those marvelously preserved repositories of hoary truth also tell us
that at the inception of the human race, in the initial stages of the
soul's incorporation in bodies that grew ever less tenuous and finally
fully fleshed, the race itself was hermaphroditic in its generative
mechanism, and that only after thousands of years did it effect the full
segregation of sex in two bodies of opposite polarization. A few verses in
Genesis are a shorthand brief of this long process.
The sane purport of Plato's subtle indirection is that the soul of
humanity collectively, the World-soul of Plotinus and the Oversoul of
Emerson, goes through its Amenta of experience in this world about
equally split between male and female bodies, and that each half longs for
union with the other under the law of attraction of opposite natures. But
there is another yearning of the soul which is not specifically activated
by the law of sex. It transcends sex. It is just the longing of one unit
of soul consciousness for another unit. Sex does not affect it, engender
it or minister to it. It is that higher
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divine attraction which urges the lonely unit to seek union with the
whole group. It is the longing of the part to be united with the integrity
of the whole. The part, the fragment, is driven by the divine impulsion to
seek reunion, after each separation, with the whole. It is cut off from
this communion while in the flesh by the walls of the body. It can
communicate with kindred souls only across a gulf. If, however, soul in
male setting can find this congenial response from soul in female body,
both Platonic and romantic love can have play. That union is doubly
blessed. With common humanity it is the physical attraction of opposite
sexuality centering in body that is the main bond of attachment. Generally
this is quite quickly reduced in force, so that there is then the
possibility that the higher Platonic mental and spiritual affinities can
come more fully into expression. Sex attraction still constitutes the
strong dynamic in romantic love.
It is difficult to depict the overwhelming power of this romantic
attraction in the psychic realm of mortals. It manifests as a positive
hunger on the part of one for the other. It is a veritable chemicalization
within the blood, and surges through the nervous system and suffuses the
brain. It is a ferment and unrest, an urge that impels toward embracing,
or merging oneself with, the opposite pole. One can know its carking and
corroding virulence only if one has experienced it--as who has not?
Vicariously we can see its potencies reflected in the behavior of animals
in seasons of mating.
Total repression, thwarting and denial of fulfillment almost disrupts
the vital economy of the organism. Animals show suffering and
abnormalities in health. Humans sometimes pine away. To such a wreckage of
her powerful drive for happy expression nature attaches almost fatal
penalties. If, through unsound and unbalanced religious ideologies or
fervors, the soul too stoutly restricts the body's order of animal
normality (for the body is an animal, as Plato says), it has its own
resources and its own ways of striking back at the unwise master. Its own
suffering or derangement entailed by the
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too rigid denial of its due expression reacts to the detriment of the
soul, whose servant it is.
There is a fell quality to the mating urge that gives it the force of a
natural and unimpeachable authority, which appears for a time to sweep
away every obstacle and override the obstructing power of every
consideration, whether of advantage or injury. It carries a virtual cosmic
sanction with it. Romeo and Juliet, Abélard and Héloïse, Dante and
Beatrice, Hero and Leander, if not just honest John and plain Jane, feel
that the world must stand aside and make way for the course of this true
love. Flesh almost trembles and is consumed under the pulse and throb of
the insatiable longing. It is nature's, life's, God's imperial order to
the two individuals to unite their opposite forces and thus achieve its
burning desire for multiplication of being and expansion of consciousness.
It is its immitigable mandate thrilling out through every tide of blood
and nerve impulse, that it may have more abundant life in the whole of its
body. As Schopenhauer so elaborately and forcefully depicted, it is the
will and idea of the world enacting its program. To insure beyond all
possibility of failure that its evolutionary development should have an
unbroken continuance, it impregnated its creatures with an enormous
profusion and overplus of virile tendency. So dynamic is the voltage of
this charge that it wholly disqualifies the rational element in most cases
and drives blindly toward its goal, unhindered by any rational deterrent.
It hypnotizes or paralyzes the reason, so that no consideration from that
side may block it. It puts to sleep every sentinel that might be standing
guard to challenge its right to advance. And it haloes its objective and
emblazons its pathway to it with the most radiant aura of exaltation, and
the most exquisite redolence of delight that life provides out of its
armory of enchantments.
Life has laid upon all its creatures this royal charge, which none may
dodge with impunity. This is the law of sex in its physical area.
But, because philosophy has been decried and contemned, man has been
too oblivious of that other manifestation of sex within the
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boundaries of his own personality between two other lovers, namely his
soul and its body. This is beautifully portrayed, in addition to the many
fine Biblical allegories of it, by the great Greek myth of Eros and
Psyche. Eros is the higher spiritual soul, or Love, who descended to earth
to unite with the mortal body and its animal-human soul. He hovers over
her as she lies asleep, as yet unawakened to conscious recognition and
deployment of her powers. Nothing can awaken her except the impact of
those higher vibrations of a supernal consciousness from above, which are
superinduced by her experiences in the flesh. So Eros bends down and
arouses the sleeping faculties with his kiss. "Virtue" such as passed from
Jesus into the woman who touched the hem of his garment flows down from
the Oversoul when the connection with the latter is established and
slumbering potencies spring into conscious activity from the touch.
The prime office of religion and the entire rationale of culture is
intimated in this allegory. For the central radix of both religion and
culture is this power of the higher Ego in each person to awaken and
transform the dormant faculties and capabilities of the lower human self.
The sons of God were instructed to descend to earth, take wives from the
daughters of men and raise up seed from them. It is all an allegorical
representation of the union of these divine sparks, our souls, with the
animal bodies, which, since they are to be the wombs of birth for the
divinely fathered and humanly mothered Christ-child in every human breast,
are typified as "women," the daughters, not of God, but "of men." The
parenthood of the new-born sons of God is divine on the paternal side, but
natural, earthy, on the side of mother-body. Heaven, as Plato hints,
furnishes the seed of spiritual being for the composition of man, while
earth furnishes the body, the soil or womb in which the divine seed is to
be nurtured to its growth. In the Orphic hymns the souls says: "I am a
child of earth and the starry skies, but my race is of heaven alone."
So the two component halves of man's life are male and female
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and the evolution of man is just the long romance, the wooing, winning
and wedding of the two. The allegory, however, must not be permitted to
strangle the reality which it adumbrates. For more and more clearly it can
be seen that this is what has happened time after time in history and is
the fatal feebleness of the human mind that has ever in the end defeated
the spirit of culture. Allegory has been misconceived and flouted again
and again and is still derided and decried in the seats of the
intelligentsia of the modern world. The truth is that, while it is the
ultimate bed-rock method and road to the keenest apperceptions, there
exists but rarely in the individual and never in the mass the downright
perspicacity requisite to apprehend its true illumination. As was the case
in the Italian Renaissance, the general faculty to discern not only the
beauty but the enlightening power of meaning released to the mind by
symbols, was wanting and allegory failed once more. Yet it was not
allegory that failed; it was popular crudity and crassness of mind that
caused failure, as it always will. The world sadly needs to recover the
lost faculty or genius for the interpretation of allegory and for the
discovery of the wealth of meaning brought out by analogy. For the
magnificent truth hidden in the ancient scriptures under glyph and symbol
will not yield its purport to the world as long as the general mind
remains dumb to the intimations of allegory and symbol.
Clear down to the present the scholars have sniffed at allegory. This
gesture is due to their inability to honor it and live with it in
sufficient warmth of companionship to catch its more subtle and recondite
power of instruction. The chief requirement is that the eye of the mind
should be trained to hold the allegory not as opaque but as diaphanous.
The condemnation and death of allegory have come through the mind's
incapacity to look through it as a lens and to descry the objects in focus
in that unseen world where truth abides in its noumenal aspect. What must
be seen, then, under the allegory of the two natures in man wooing and
wedding each other is something that demands in the seeing a pro-
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found and subtly discerned set of values and meanings that lie
altogether in a plane of cognition far above sense. The idea of marriage
in the reference is but the initial push, the springboard that sends the
thought off on its quest of realities that can be limned only in the
highest poise and concentration of the thinking faculty. Two things, two
forces, meet, intercommune and finally wed. But how is one to think of the
soul wedding the psyche and creating a new birth through her? How, must
first be asked, can mental and spiritual entities or radiations meet and
wed?
Here is the reality to which the allegory leads the mind, and mind must
be able to follow from signpost to destination if tropes and symbols are
not to leave failure in their wake perpetually. The highest exercise of
the great faculty of imagination must come into play if the figure is to
yield enlightenment. One must imagine, the, while keeping always in view
the assumptions and principles of known natural and scientific data, that
two powers like the soul and the psyche will wed each other by coming to
an identity of vibratory energies, by striking a synchronization of
conscious states which virtually make the two forces one instead of two.
They become alike and flow together into a unity. Their currents of
influence are finally reduced to a mathematical harmony in the
wavelengths. This is the most plausible explanation open to brain thinking
on the part of man, and while doubtless still below the plane of positive
empirical knowledge as to how the subtle forces of mind operate, it soars
well above the stolid immovableness of mass ideation that can think of no
marriage save a personal and physical one. And just this difference
measures the enormous gulf that perpetually runs its fatal chasm between
the truly cultured minority and the cruder mass majority. That gulf is the
most impassable obstacle to the progress of the race.
Spirit and matter, soul and body, each reducible in thought to ultimate
whirls of atomic energy, are thrown by Deity into the relation of
juxtaposition and vibrational impact in quite literal sense. The close
relation presupposes, in its degree and kind, as actual an
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intercourse between the two elements as that between man and wife, if a
new birth is to be engendered. Love, now conceived as between soul
vibration and sense vibration, then presides at the very genesis and
growth of all culture. For culture is, in essence, the increasing
receptivity of the animal to the behests and influences of the higher Ego
and its becoming enamored of them. Not only does sex force play between
bodies of opposite polarity, but it flashes back and forth between spirit
or mind, masculine, on the one side, and the feminine psyche within the
same body, be it man's or woman's. The marriage spoken of allegorically in
the New Testament and other scriptures is the union St. Paul glorifies as
between soul and its own mortal body. Dr. Hinkle is found confirming this
delineation in a very direct and indeed remarkable way. Speaking of the
presence of feminine characteristics in the sensitive nature of artists,
she declares (The Recreating of the Individual, p. 346):
"The union between these masculine and feminine entities in the psychic
organization of the artist partakes of the character of the sexual act,
although it is an unconscious process of the nature of which the artist is
unaware. But it possesses all the physical signs of the activity of
libido sexualis, and of the nature of his feelings he is quite aware."
It is significant that the psychoanalyst here avers that the
manifestations of sexual character are sufficiently in evidence to warrant
their description as sex symptoms. But this author goes even further and
denominates the interplay of forces polarized as masculine and feminine as
actually a "psychic coitus." She writes (p. 346):
"I have referred in previous chapters to the separation of the sexual
impulse from its reproductive purpose in the human race, with the
consequent overthrow of nature's limitations and its use freely in the
service of pleasure instead of purpose. As a consequence of this use, in
which reproduction really plays no part for the male, there has been
produced a transference of libido sexualis from the physical to the
psychical realm. Here the artist reveals its transformation into a
subjective phenomenon where a psychic coitus occurs, having for its
constant aim not pleasure but purpose."
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If the psychiatrist can speak of an intercourse between male and female
components within the psychic range, at last the esoteric meaning and the
amazing truth of an ancient allegory interspersed throughout all the
revered scriptures receives the authentic voucher of its veracity. Only
after some twenty-five hundred years are we beginning to catch up with
what our wise forefathers knew.
A further corroboration of the validity of the marriage symbol on the
plane of psychic energy is given by Dr. Hinkle. She applies to the higher
Ego, the superconscious or evolving deity in man, the term used in
Platonic literature--the puer aeternus (the "eternal boy," or
everlasting youth, he who is ever young). She says (p. 349):
"In every case, however, the production of an art work is preceded by
what can be called a psychic coitus between the puer aeternus and the
soul within himself, and when, through some psychic interference or
weakness, this idea does not take place, no art child will be produced."
She goes so far as to label this orgiastic paroxysm in the
sensibilities "a symbolic incest relation" and "an autoerotic process,"
the capacity for which sets the artistic or creative genius apart from
more stodgy mankind.
Thus the allegory of primitive truth is again tardily vindicated. Even
an artist must be capable of imitating the actions of the gods in their
fabled intercourse with one another and must be able to consummate a
marriage culminating in intercourse between two polarized entities within
his own scope of being, if he is to bring forth a child of his art. Simply
this on a magnified scale, and carried on through all the later stages of
the individual's evolution, is all that was connoted in and by St. Paul's
allegory of the wedding between the lower psyche, the bride, and the
higher self, the Christ, the Lamb of God slain on the altar of matter from
the beginning of the world-aeon. Naturally the man who had not effected
this marriage within himself, and therefore had no wedding garment on, was
thrown out of the symbolic ceremonial. That wedding garment is verily the
immortal shining body of "white raiment,"
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being nothing less than the augoeides, or body of radiant solar
effulgence that clothes "the glorified and the elect,"--the garment of the
redeemed. What occurs in miniature in the daily life of all creative
genius is but the transpiring in small cycle of the great aeonial marriage
and climactic blissfulness of soul and sense in the large cycle of human
evolution. |